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Platform of Venus
Chichén-Itzá

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Photograph of the Platform of Venus Maya Toltec Architectural Style constructed 1100-1300 A.D.


Near the platform of the Eagles and the Jaguars is a larger raised square, whose chief decorations are stone carvings of Venus in the form of the year symbol with a half flower engraved with crosses on the petals.

Venus was one the representations of the serpent god Kukulcan. It is believed that the platform may have been used for religous ceremonies in honor of this important diety. In the sunken spaces Kukulcán, in his role of Venus the morning star, appears with forked tongue and jaguar- like claws to be coming out of the jaws of the plumed serpent. The stairways on each side of the platform are guarded by images of feathered serpents.


To the Maya, the planet Venus was both a heavenly body in their astronomical measurements and a mystical element in their mythology. Its importance can be seen in the care with which the sunrise is represented in this monument. The cycle of the planet was one of the basic elements used to establish a calendar for both public and ritual functions.

This platform, more than 25 metres on each side, is also known as the Tomb of Chac-Mool, a name given to it by the archeologist who uncovered the first statue of this god in Chichen ltza in the late 19th century. Chac-Mool, whose real name and meaning is still unknown, probably came from Toltec imagery, since similar idols have been found in Tula and other cities of central Mexico.

[Based on Let's Learn about Chichén-Itzá , Chichén-Itzá: The City of the Wise Men of the Water. by Roman Chan, All About the Mayas. by C. Dorese. published by Producción Editorial Dante (Mérida, Mexico) and Incidents of Travel in the Yucatan by Stephens and Catherwood published by Smithsonian Institute Press (Washington D.C.). All available in paperback and highly recommended.]


Pages Created: Wednesday, 4-March-98
URL: http://www.best.com/~swanson/maya/eg_maya_chichen_index
Photographs by L.Swanson and where indicated,
images © 1999 arttoday.com (used with permission)

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